OSMOSIS
Between sea and sky, a fragile threshold
Osmosis explores the ever-shifting surface of the Mediterranean, seen from above and below. Through floating photographs and layered photo-sculptures, the installation invites a contemplative experience of the delicate balance between air and water, and of the invisible threads that connect us to the marine world.
This portrait series invites the viewer into the emotional and symbolic depths of the ocean—its beauty, power, and impermanence. Through round, porthole-like images, the work reflects on our intimate connection with the sea and the urgent need to protect its fragile, ever-shifting presence.
The sea as mirror, memory, and sanctuary
Portraits of the sea
This series is a visual ode to water in all its forms — sea, mist, cloud, and current — captured across the globe as a symbol of freedom, transformation, and presence. Inspired by David Foster Wallace’s parable, the images invite us to slow down, look again, and rediscover the wonder in what we too often take for granted.
THIs is water
Water everywhere — seen, felt, remembered
Lines of desire
A sensual gaze, an architectural journey
Inspired by Baudelaire’s Invitation to the Voyage, this series reimagines architecture as a metaphor for the feminine form, where curves, textures, and shadows evoke both strength and vulnerability. Through this intimate lens, the familiar world transforms—inviting emotion, imagination, and new ways of seeing.
LINES OF BECOMING
finding form, finding self
Shot on 35mm film in the early days of her arrival in New York, this series maps a parallel discovery of the city and the self. Through bold lines, deep shadows, and the quiet ritual of the darkroom, the artist traces both an urban landscape and her own emerging identity.
2.5 D
Where architecture is deconstructed and reassembled in space
This series moves fluidly across mediums—film photography, digital modeling, and 3D printing—to question how we perceive and represent space. At the threshold of form, structures dissolve and reform, revealing the image not as a final product, but as the origin of sculptural transformation.